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  • Runners and readers enjoy the Seattle Art Museum’s Olympic Sculpture Park. (Ken Lambert / The Seattle Times)
    Sunny Seattle Art Museum Olympic Scu..Park
  • Alexander Calder's "Eagle" stands tall on a sunny day in Seattle's Olympic Sculpture Park.<br />
<br />
Gabriel Campanario / The Seattle Times
    Olympic Sculpture Park
  • John Grade's sculpture, "Wawona" is almost 64-feet high made from the salvaged woods from the hull of the sailing ship of the same name.  This view looks up to the sky.<br />
Alan Berner / The Seattle Times
    Wawona Sculpture MOHAI
  • Visitors to Seattle stand inside "Changing Form," a sculpture by Doris Chase, while gazing over the Puget Sound as the sun sets at Kerry Park in the Queen Anne neighborhood in Seattle. (Sy Bean / The Seattle Times)
    Standing inside sculpture
  • Under cloudy skies, the space needle looks dwarfed by a sculpture near MoPOP at the Seattle Center. (Ellen M. Banner / The Seattle Times)
    Sculpture near MoPOP
  • Walkers are reflected in the windows of PACCAR Pavilion at the Seattle Art Museum's Olympic Sculpture Park, juxtaposed with artist Sandra Cinto's work Encontro das Águas (Encounter of Waters. (Bettina Hansen / The Seattle Times)
    Olympic Sculpture Park reflections
  • A state ferry, juxtaposed with The Eagle sculpture by Alexander Calder at Olympic Sculpture Park, crosses Elliott Bay to Seattle’s waterfront. (Sy Bean / The Seattle Times)
    Setting sail
  • A crow sits in a polished stainless steel tree, a sculpture by Roxy Paine entitled Split which rises 50 feet above the Seattle Art Museum Olympic Sculpture Park, in Seattle. (Ken Lambert / The Seattle Times)
    Crow's perch
  • A cottontail, lower right, noshes near “Perre’s Ventaglio III,” a 1967 stainless steel and enamel sculpture by Beverly Pepper at Seattle Art Museum’s Olympic Sculpture Park. (Ken Lambert / The Seattle Times)
    Artful bunny
  • The Space Needle is seen through the sculpture "Changing Form" by Doris Chase during twilight in Seattle. (Erika Schultz / The Seattle Times)
    Seattle peek
  • John Grade works inside his sculpture, "Wawona," as it takes shape in MOHAI's new South Lake Union building.   Floor-to-ceiling scaffolding gives workers access to the entire height of the piece as it's assembled.  Only the old growth Douglas fir from below the water line could be salvaged from the sailing ship Wawona.  The platform that Grade stands on is lowered by chains as the piece is assembled.<br />
Alan Berner / The Seattle Times
    Wawona Scaffolding MOHAI
  • A bicyclist rides by Teresita Fernandez's glass bridge 'Seattle Cloud Cover' at the Olympic Sculpture Park. (Erika Schultz / The Seattle Times)
    Teresita Fernandez’s glass bridge
  • Under cloudy skies, the Space Needle is viewed through a sculpture near the Experience Music Project on the Seattle Center grounds. (Ellen M. Banner / The Seattle Times)
    Space Needle reflection
  • The umbrellas are back out in Seattle, as a man passes "Changing Form," the Kerry Park sculpture by Doris Chase. (Ken Lambert / The Seattle Times)
    Shape shifter
  • A fern is reflected in a pool of water at the Earth Sanctuary on Whidbey Island. The nature reserve, sculpture garden and retreat is located on the southern part of the island.<br />
<br />
Ericka Schultz / The Seattle Times
    Reflections on Solitude
  • "Black Sun" sculpture at Volunteer Park.  Created by Isamu Noguchi from a single piece of black granite, the work is 9 feet in diameter and weighs 12 tons. (Jim Bates / The Seattle Times, 1988)
    A rock-solid view
  • "Sonic Bloom," solar-powered flower sculptures by artist Dan Corson, light up in front of the Boeing IMAX Theater at the Pacific Science Center in the Lower Queen Anne neighborhood. (Lindsey Wasson / The Seattle Times)
    Solar-powered "Sonic Boom"
  • Sculptures at Ronald Bog Park in the  City of Shoreline.<br />
<br />
Gabriel Campanario / The Seattle Times
    The Ponies!
  • This five-story rocket sits on the corner of Evanston Avenue North and North 35th Street in Seattle’s Fremont neighborhood. A piece of fuselage repurposed from a military aircraft forms the whimsical spaceship. It comes with a mission: “De Libertas Quirkas — Freedom to Be Peculiar. (Gabriel Campanario / The Seattle Times)
    Soaring symbol of Fremont’s quirky s..irit
  • Main entrance to the University of Washington Campus.<br />
<br />
Gabriel Campanario / The Seattle Times
    University of Washington Entrance
  • Shilly the Sea Monster sits on the seawall at Shilshole Marina. (Gabriel Campanario / The Seattle Times)
    Shilly the Sea Monster
  • The Chihuly Garden & Glass exhibition — with its glass house, exhibition rooms, garden and cafe — is a one-of-a-kind attraction in Seattle. <br />
Gabriel Campanario / The Seattle Times
    Chihuly Garden & Glass
  • At 8-feet 6-inches, the statue of Don James unveiled outside Husky Stadium looms large above the crowd - just as James legend looms over Husky football.  (Dean Rutz / The Seattle Times)
    Big man on campus
  • Statue of the mascot at the entrance of the University of Washington's Husky Stadium.<br />
<br />
Gabriel Campanario / The Seattle Times
    Husky at Husky Stadium
  • Gabriel Campanario / Seattle Times staff artist
    Elliott Bay Trail
  • Totem poles made by Haida artists and other First Nations carvers are on display in the Great Room at the Museum of Anthropology. The museum is on the UBC campus in Vancouver. (Ellen M. Banner/The Seattle Times)
    B.C. First Nations' art
  • A dip into the lake and a toss of the head is one way to cool off -- and create water sculpture. This young woman's creativity was aided considerably by a 35-millimeter-camera shutter set at 1,000 of a second. (Greg Gilbert / The Seattle Times, 1970)
    Summer shutter sculpture
  • A coal train approaches SAM’s Olympic Sculpture Park in Seattle. (Ken Lambert / The Seattle Times)
    Seattle coal train
  • The Leif Erikson statue at Shilshole Marina turned 50 in 2012. A gift from local Scandinavians, the 17-foot sculpture of the Viking explorer had a rough start. Deemed “unexciting” by some city art officials, the monument wouldn’t be here today if the Port of Seattle hadn’t accepted it. (Gabriel Campanario / The Seattle Times)
    'Our boy Leif' standing tall at Shil..rina
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