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  • Japanese Taiko Drummers Bryce Bergano, left and Koji Sato of Kaze Daiko accompany a vocal piece by music director Meshell Ndegeocello, right, during a rehearsal for More Music @ The Moore. <br />
<br />
Sunday May 5, 2013 at The Moore Theatre in downtown Seattle. <br />
<br />
Bettina Hansen / The Seattle Times
    MooreMusic05.JPG
  • The Fab Four's fans fill up the Coliseum at the Beatles' 1964 performance in Seattle. For the police, it was crazy duty trying to deal with the 'mass hysteria'; for the kids, it was the time of their lives. (Vic Condiotty / The Seattle Times)
    It's gotta be rock-n'-roll music
  • Under cloudy skies, the Space Needle is viewed through a sculpture near the Experience Music Project on the Seattle Center grounds. (Ellen M. Banner / The Seattle Times)
    Space Needle reflection
  • Construction on the Experience Music Project rock 'n' roll museum in 2000 featured a tunnel through which the Seattle Center Monorail passes, giving passengers a view of the museum. (Benjamin Benschneider / The Seattle Times)
    EMP and the Monorail
  • One of the leading figures in contemporary American music, John Adams comes to conduct the Seattle Symphony and Leila Josefowicz in his dramatic symphony “Scheherazade.2.” (Gabriel Campanario / The Seattle Times, “Turning the ‘Arabian Nights’ on its head: John Adams conducts ‘Scheherazade.2’ at Seattle Symphony,” March 10, 2016.)
    John Adams conducts ‘Scheherazade.2’..hony
  • Prince was a musical genius who blended disparate cultures — black and white, R&B and rock, queer and Christian — and hit the pop world with the force of destiny. (Gabriel Campanario / The Seattle Times)
    Prince
  • In the mosh pit, Lollapalooza concert-goers undulate to the rhythm and pass moshers over their heads to the front of the stage. (Tom Reese / The Seattle Times, 1992)
    Passing overhead
  • The Purple Haze of EMP is really saturated as sun sets against  EMP's west wall. (Mike Siegel / The Seattle Times)
    Purple haze
  • The Central Saloon on a Wednesday evening. (Ken Lambert / The Seattle Times)
    The Central Saloon
  • The Central Saloon has secured its future in its original Pioneer Square home. (Ken Lambert / The Seattle Times)
    The Central Saloon
  • Seattle's most widely known architectural icon, the Space Needle, peeks between the tracks of the monorail and the undulating metal sides of the EMP, which has become an icon in its own right. (Benjamin Benschneider / The Seattle Times)
    EMP still perplexing
  • The first day of the festival that was to become Bumbershoot at Seattle Center. (Ron DeRosa / The Seattle Times, 1972)
    Crowd at original Bumbershoot Festival
  • An old liquor cabinet at The Central Saloon. The Central’s longtime steward Guy Curtis and his business partner Eric Manegold acquired the three-story building for $2.75 million. (Ken Lambert / The Seattle Times)
    The Central Saloon
  • In The Central Saloon, a framed photo of Kurt Cobain hangs on the wall. The venue’s grunge-era legacy attracts tourists to this day. (Ken Lambert / The Seattle Times)
    The Central Saloon
  • Many show fliers hang on the wall of The Central Saloon, a storied bar where many grunge-era bands like Nirvana, Alice in Chains, Soundgarden and Mudhoney played early, formative gigs. (Ken Lambert / The Seattle Times)
    The Central Saloon
  • A dancer, of Kalpulli Tlaloktecuhitli Aztec Dance, performs during the Duwamish River Festival at Duwamish Waterway Park in Seattle. (Lindsey Wasson/The Seattle Times)
    Festival at Duwamish Waterway Park
  • Pottery water pipes were among some of the unusual goods on sale at the Seattle Pops Festival, a rock festival at Gold Creek Park near Woodinville. An Indian teepee decorated with an American flag was in the background. An estimated 50,000 persons attended the festival. (Alden J. Blethen / The Seattle Times, 1969)
    Water Pipes: Rock Fair Fare
  • Walking in Benaroya Hall. (Erika Schultz / The Seattle Times)
    Walking in Benaroya Hall
  • At sunrise, low autumn light catches the mist rising off Pine Lake in Sammamish. (Steve Ringman/The Seattle Times)
    Low autumn sunrise
  • The One-Reel Vaudeville Show when the Labor Day weekend event at Seattle Center was called the Mayor’s Arts Festival. (Larry Dion/The Seattle Times, 1972)
    One-Reel Vaudeville Show
  • Gabriel Campanario / The Seattle Times
    Seattle outdoor summer concerts
  • Early morning fall light streaks across the mist rising from Pine Lake on the Sammamish Plateau. (Steve Ringman / The Seattle Times)
    Misty Pine Lake
  • Mist rising off of Pine Lake in Sammamish in the early morning light. (Steve Ringman / The Seattle Times)
    Moody fall light
  • Seattleites embrace their aesthetic uniqueness that doesn't exist elsewhere. There are pockets of diverse cultures that exist and thrive in the city, even as the cultural exchange with the rest of the world has been slow. <br />
Marcus Yam / The Seattle Times
    Seattle Pacific Global City
  • Neil Hubbard has this $5 ticket from the 1977 Ramones concert he and Robert Bennett booked into the Georgian room at the Olympic Hotel. (Alan Berner/The Seattle Times)
    Show ticket
  • The future of King Street Station is looking better than ever, and not just as a vital transportation hub. The city plans to transform 17,000 square feet of its empty third floor into a major community arts center. (Gabriel Campanario / The Seattle Times)
    Future King Street Station arts hub.tiff
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