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  • Visitors at Artist Point at the end of the Mount Baker Highway.  The area offers 360-degree views of Mount Baker and Mount Shuksan. (Erika Schultz / The Seattle Times)
    Artist Point
  • Gabriel Campanario / Seattle Times staff artist
    Elliott Bay Trail
  • Cozy time of year
  • John Grade works inside his sculpture, "Wawona," as it takes shape in MOHAI's new South Lake Union building.   Floor-to-ceiling scaffolding gives workers access to the entire height of the piece as it's assembled.  Only the old growth Douglas fir from below the water line could be salvaged from the sailing ship Wawona.  The platform that Grade stands on is lowered by chains as the piece is assembled.<br />
Alan Berner / The Seattle Times
    Wawona Scaffolding MOHAI
  • John Grade's sculpture, "Wawona" is almost 64-feet high made from the salvaged woods from the hull of the sailing ship of the same name.  This view looks up to the sky.<br />
Alan Berner / The Seattle Times
    Wawona Sculpture MOHAI
  • On the last day before Seattle schools start, a child runs on a suspended walkway at the Seattle Center. (Ellen M. Banner / The Seattle Times)
    Summertime at the playground
  • In 2011, painter Jane Richlovsky and some hundred other artists were evicted from the building that sits directly above Bertha's path. (Gabi Campanario / The Seattle Times)
    Onetime artists' haunt hosts new crowd
  • Traffic moves past the newly repainted “Black Lives Matter” mural on Capitol Hill’s East Pine Street. (Ken Lambert / The Seattle Times)
    Black Lives Matter mural, 2020
  • In the mosh pit, Lollapalooza concert-goers undulate to the rhythm and pass moshers over their heads to the front of the stage. (Tom Reese / The Seattle Times, 1992)
    Passing overhead
  • The world has shrunk, and in no small measure because of Boeing. The company helped early Seattle by firing up its economic engine, shaping its politics and laying the foundation for a strong middle class. Now, having become a global player and facing competition more fierce than it has ever been, the aerospace titan is looking literally around the world for cheaper labor and willing partners.  And we are left to question both our relationship with the company and, to some degree, our very identity as a region. <br />
Marcus Yam / The Seattle Times
    Boeing Jet City
  • The historic property at 619 Western Ave. escaped demolition when the state gave it an extensive upgrade to bring it up to code. Once restored, the building's six floors became prime office space and new tenants started moving in. (Gabriel Campanario / The Seattle Times)
    619 Western Ave.
  • The city is on the move, getting bigger, building up and reaching out. The emergence of a new generation of white-collar workers has changed the socioeconomic landscape of Seattle. Its resource-extraction and manufacturing past is being overshadowed by the work of the so-called creative class in science and technology.<br />
Marcus Yam / The Seattle Times
    Growing Pains in Jet City
  • Under cloudy, rainy skies, a woman rushes past artist Jonathan Wakuda Fischer's giant mural entitled “Eternal Spring” in Seattle’s Chinatown International District. (Ellen M. Banner / The Seattle Times, 2015)
    Spring on the way
  • Walkers are reflected in the windows of PACCAR Pavilion at the Seattle Art Museum's Olympic Sculpture Park, juxtaposed with artist Sandra Cinto's work Encontro das Águas (Encounter of Waters. (Bettina Hansen / The Seattle Times)
    Olympic Sculpture Park reflections
  • "Sonic Bloom," solar-powered flower sculptures by artist Dan Corson, light up in front of the Boeing IMAX Theater at the Pacific Science Center in the Lower Queen Anne neighborhood. (Lindsey Wasson / The Seattle Times)
    Solar-powered "Sonic Boom"
  • Gabriel Campanario / Seattle Times news artist
    Gas Works Park balcony
  • (Gabriel Campanario  / Seattle Times news artist)
    Vulcan classroom
  • (Gabriel Campanario  / Seattle Times news artist)
    The Vulcan
  • (Gabriel Campanario / Seattle Times news artist)
    Hop on an indoor climbing wall
  • Gabriel Campanario / The Seattle Times
    Amazon Campus Glassybaby artists
  • Totem poles made by Haida artists and other First Nations carvers are on display in the Great Room at the Museum of Anthropology. The museum is on the UBC campus in Vancouver. (Ellen M. Banner/The Seattle Times)
    B.C. First Nations' art
  • Gabriel Campanario / The Seattle Times
    Amazon Campus Glassybaby artists
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